Competition
We are delighted to announce the winning entries in our
Bai Meigui Creative Writing Competition:-
1) "A Braided Pulse," by Monica Kam
2) "Night Drive," by Priscilla Yeung
3) "Sick Bed," by Gabrielle Tse
NEW: You can now read all three of our winning entries in our special open access Writing Hong Kong pamphlet. We are grateful to all of our winners for generously allowing us to publish their work. (Copyright remains with the authors).
Each of our three winners also receives a voucher for Arvon Creative Writing Workshops. As ever, due to the number of entries we are unable to provide individual feedback, but our judges have kindly provided some general comments below, and some specific to our three winners.
General Feedback on Entries
More information about the competition below
We're currently running our first ever Bai Meigui Creative Writing Competition, open exclusively to current UK residents who have familial roots in and/or have previously lived in Hong Kong, and who have not yet had a full length piece of creative work published in English.
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Image by J Wong
Theme
The theme for this competition is: Writing Hong Kong.
Entries may be poems, short stories, or creative nonfiction.
You may get some inspiration for this topic, and ways of approaching it, by attending our event in Leeds on 8th May, where our judges will be discussing the topic, the diversity of approaches, and challenges. (The Youtube link to these will be available shortly.) Also read our blog interview with editors of Where Else: an International Hong Kong Poetry Anthology and the special issue of our Journal.
Word count
Poetry: up to 50 lines per poem
Prose (fiction/ creative non-fiction): max. 5000 words
Launch and Closing date
The extended deadline is midnight (UK time) on 31st July 2024. Entries can be submitted from 8 May 2024, when we'll be officially launching the competition at our Writing Hong Kong event.
The Prize
Entrants of the winning pieces will receive an Arvon voucher for a creative writing workshop (worth £90) and their work will be featured on the Writing Chinese website. Longlisted entries will also be published in a pdf booklet, available on the website. (Winners and longlisted entries may choose to be published under their name, pseudonym, or anonymously). Results will be announced in September 2024. Winning entrants may also be invited to read their works in an online event in Autumn 2024.
Copyright of all entries will be retained by the authors.
The Judges
Karen Cheung is the author of The Impossible City: A Hong Kong Memoir (Random House). Her essays, reported features, and cultural criticism have been published in the New York Times, Foreign Policy, New York Magazine, This American Life, New Statesman and elsewhere. She co- runs the literary journal Cicada. She is currently a part-time lecturer at Hong Kong Baptist University’s Department of Humanities & Creative Writing, and is our Centre's bookclub featured author for April/May.
Kit Fan is a poet, novelist and critic. His debut novel is Diamond Hill (2021). His latest poetry collection The Ink Cloud Reader (2023) was shortlisted for the T.S. Eliot Prize and the Forward Prize for Best Collection. Twice shortlisted for the Guardian 4th Estate BAME Short Story Prize and the TLS Mick Imlah Poetry Prize, he has won Northern Writers Awards for Fiction and Poetry, the Times Stephen Spender Poetry Translation Prize, and POETRY Editors’ Prize for Reviewing. He was elected a Fellow of the Royal Society of Literature in 2022.
Jennifer Wong is the author of 回 家Letters Home (Nine Arches Press). She is the author of Identity, Home and Writing Elsewhere in Contemporary Chinese Diaspora Poetry (Bloomsbury, 2023) and a co-editor of State of Play: Poets of East and Southeast Asian Heritage in Conversation (Outspoken Press, 2023). Together with Jason Eng Hun Lee and Tim Tim Cheng, she co-edited Where Else: An International Hong Kong Poetry Anthology (Verve Poetry Press, 2023). She has guest-edited a special issue on Hong Kong literature for the online Writing Chinese journal (Leeds Centre for New Chinese Writing).
How to enter
All works must be original, unpublished works by the author. Any input from AI must be acknowledged in the submission.
[All works must be written primarily in English, although the use of other languages as part of the piece is of course permitted.]
There is a limit of 3 entries per person.
Please send your entries as an email (MSWord) attachment to our competition coordinator at mlywang@leeds.ac.uk. (And please do get in touch if you have any queries about eligibility to enter).
In the body of the email please include your name, contact details, and how you'd like your name to appear if your entry is chosen for publication. We’d also be interested to know your current country of residence, what you consider to be your first language, and whether you have had any translations published previously. This information will NOT be available in any form to the judging panel, but is useful for our records, and planning purposes for future competitions. (The only information that you must include in order to submit, is your name/contact details/ name to appear on published work).
Please do not include your name/any identifying information in the attachment.
Please note that we will not normally be able to provide feedback on entries, but thank you, in advance, for your submission.
Entries can only be submitted between 8th May and 31st July 2024 (closes midnight UK time).
Good luck!